Tuesday, April 09, 2024

Father & Son

#Antony and Son
AK Antony's statement calling for the defeat of his son, Anil Antony, the BJP candidate in Pathanamthitta, is indeed bold but unexpected. While on the surface, Antony's stance may seem admirable it raises questions about the underlying dynamics within his own party and family. This public disapproval could indicate internal strife  within his family.

 Antony's statement challenges traditional notions of familial loyalty and dynastic politics prevalent in Indian politics. In a society where family connections often play a crucial role in political advancement, Antony's stance could be seen as a departure from the norm.. It highlights the complexities of familial relationships in the political arena.

Seemingly, the "Krupasanam Amma" rejected the request of Elizabeth, Antony's wife, who pleaded good prospects for her son. Antony and his son are not a role model for all fathers and sons in Kerala.
-K A Salaman

Thursday, March 21, 2024

Upholding Mohiniyattom

#Upholding #Mohiniyattom.
Kalamandalam Sathyabhama's courageous stance on the essential elements of Mohiniyattom dance competitions should be commended, She emphasizes the significance of talent and skill over superficial attributes created by make-up. Her dedication to upholding the integrity of the art form deserves respect, as she fearlessly speaks out against the prevalent biases that prioritize appearance over talent. 

It's imperative to recognize and support artists like Sathyabhama who advocate for the true essence of their craft, rather than succumbing to societal pressures that undermine its authenticity. The backlash and insults directed at Sathyabhama on social media are not only unjust but also indicative of a broader issue within the artistic community. 

Rather than engaging in constructive dialogue  resorting to threats and humiliation only serves to stifle creativity. It discourages artists from speaking  truth. The notion that a male artist is inherently unfit to perform the role of Mohini in Mohiniyattom is not a regressive belief. Though Art transcends gender boundaries, and talent knows no gender a man dancing as Mohini would not get that much appeal

.Sathyabhama's advocacy for merit-based evaluation  should be celebrated as a step towards creating a more equitable artistic community. Her question, whether the authorities can delete the mark column for artist's beauty for Mohiniyattam in art fairs, is relevant..
-K A Solaman